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The Tsars' Cabinet
On view March 27 through May 24, 2014
To preview this exhibition, please see a photo collection from the Muscarelle Museum on Flickr.
The Museum of Russian Icons is hosting The Tsars’ Cabinet, which highlights two hundred years of decorative arts under the Romanovs, from the time of Peter the Great in the early eighteenth century to that of Nicholas II in the early twentieth century. Many of the more than 230 objects in the exhibition were designed for public or private use of the tsars or other Romanovs. Others illustrate the styles that were prominent during their reigns. Developed from the Kathleen Durdin Collection and organized by the Muscarelle Museum of Art at the College of William & Mary, Williamsburg, Virginia, in collaboration with International Arts & Artists, Washington, D.C.
Porcelain, glass, enamel, silver gilt and other alluring materials make this extensive exhibition dazzle. The items demonstrate the evolution of style from the European Classicism of the court of Catherine the Great, to the rich oriental motifs of mid-nineteenth century Russian Historicism of the Kremlin and Grand Duke Constantine Nicholaevich services and the enamel work of Fedor Ruckert and the firm of Ovchinnikov.
The exhibition includes many pieces from significant porcelain services made by the Imperial Porcelain Factory, from the reign of Empress Elizabeth and Catherine the Great to Nicholas and Alexandra. Visitors will see items featured at state banquets at the Kremlin and other Imperial Palaces, as well as items designed for the tsars’ private use aboard the Imperial yachts. Among the rare items are two pieces from a service Catherine the Great ordered for her grandson, Grand Duke Constantine Pavlovich, as well as pieces from services presented by Augustus III of Saxony and Frederick the Great to the eighteenth century Russian tsarinas.
The exhibition also features two hundred years of glassware, from a beaker from the time of Peter the Great to a vase made by the Imperial Glass Factory that the Dowager Empress Maria Fedorovna kept on her desk in Denmark after the Russian Revolution. Russian enamels from the late nineteenth century include a major jewel casket made by the Ovchinnikov firm and presented to Tsar Alexander III’s Minister of the Interior, as well as the work of Fedor Ruckert and the work masters of the Faberge firm.
The objects exhibited provide a rare, intimate glimpse into the everyday lives of the tsars. The collection brings together a political and social timeline tied to an understanding of Russian culture. In viewing The Tsars’ Cabinet, one is transported to a majestic era of progressive politics and dynamic social change.
The Tsars’ Cabinet is developed from the Kathleen Durdin Collection and is organized by the Muscarelle Museum of Art at the College of William & Mary, Williamsburg, Virginia, in collaboration with International Arts & Artists, Washington, DC.
The Muscarelle Museum of Art is located on the campus of The College of William & Mary in Williamsburg, Virginia. A culturally-rich art institution, the museum serves as a dynamic resource for the local community, a working laboratory for the College, and a platform for visiting exhibitions and the museum’s own collection. Visit http://web.wm.edu/muscarelle.
International Arts & Artists in Washington, DC, is a non-profit arts service organization dedicated to increasing cross-cultural understanding and exposure to the arts internationally through exhibitions, programs and services to artists, arts institutions and the public. Visit www.artsandartists.org.
Tuesday - Friday: 11:00 AM - 4:00 PM
Saturday: 11:00 AM - 5:00 PM
Sunday: 11:00 AM - 5:00 PM
First Thursday: 11:00 AM - 8:00 PM
Closed on Mondays and the following holidays: New Year's Day, Easter, July 4, Thanksgiving, Christmas Eve, and Christmas Day.
Docent tours are available.
Adults $10, Seniors (59 and over) $7
Students (with ID) & children (3-17) $5
Children under 3 FREE
Group Rates: CLICK HERE
The Museum is ADA accessible.
203 Union Street
Clinton, Massachusetts 01510
Journal of Icon Studies: Fabian Heffermehl, "The Icon and the Hand: Acheiropoiesis (‘Nerukotvornost’) as a Literary Technique in Shalamov’s Glove"
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